The nine Navarasas express nine Bhava (emotions) in Kathakali as follows: Sringara expresses Rati (love, pleasure, delight), Hasya expresses Hasa (comic, laugh, mocking), Karuna expresses Shoka (pathetic, sad), Raudra expresses Krodha (anger, fury), Vira expresses Utsaha (vigor, enthusiasm, heroic), Bhayanaka expresses Bhaya (fear, concern, worry), Bibhatsa expresses Jugupsa (disgust, repulsive), Adbhuta expresses Vismaya (wondrous, marvel, curious) and Shanta expresses Sama (peace, tranquility). Since then it has evolved and improved continuously. , The expressive part of the performance, which constitutes the dance-drama, is split into four types: Kalasham (major and most common), Iratti (special, used with battles-related Chempata rhythm), Thonkaram (similar to Iratti but different music), and Nalamiratti (used for exits or link between the chapters of the play). , The makeup follows an accepted code, that helps the audience easily identify the archetypal characters such as gods, goddesses, demons, demonesses, saints, animals and characters of a story. Kathakali is also indebted to the early martial arts of Kerala.  Of these, about four dozen are most actively performed. III. History of Kathakali Dance.  A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas.  These Attakatha texts grant considerable flexibility to the actors to improvise. In both traditions, the performance happens in the front of a huge Kalivilakku with its thick wick sunk in coconut oil, burning with a yellow light. It is a stylised art form, the four aspects of abhinaya - angika, aharya,vachika, satvika and the nritta, nritya and natya aspects are combined perfectly. The classification is based upon the rhythm and meter of the songs; and the costume, adornments and dance. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual stories through dance-acting. They play is mostly based on the two epics 'Ramayana' and 'Mahabharata'. However, others such as the Prahlada Charitham have been composed so that they can be performed within four hours. Origin and History of Kathakali. Thullal is a solo dance exposition of Kerala. It originated in the area of southwestern India now known as the state of Kerala. , The roots of Kathakalī are unclear. It is believed that Kathakali originated from "Krishnanattam" a dance form dedicated to Lord Krishna life and activities which was created by Zamorian of calicut Sri Manavedan Raja during 1585-1658 AD, Once Kottarakkara Thampuran, the Raja of Kottarakkara who was attracted by Krishnanattam requested the Zamorin for the loan of a troupe of performers. Jones and Ryan state it is more than 500 years old. It has been described as a true representation of the artistic traditions of India and one of the most magnificent theatres of the imagination. History. Three major drums found are Maddalam(barrel-shaped),Chenda(cylindrical drum played with curved sticks) and Idakka ( Idakka , hourglass-shaped drum with muted and melodious notes played when female characters perform). Kathakali emerged in the southwestern region of India (modern Kerala), and is distinctive in its elaborate codified colorful makeup, masks and costumes. The ancient tradition has been continuing from old tradition to the modern period. Kathakali is based on religious themes.  Men who act the roles of women also add a false top knot to their left and decorate it in a style common to the region. It is known for its large, elaborate makeup and costumes.  Kathak deploys much simpler costumes, makeup and no face masks. The word Kathakali literally means "Story-Play". Copyright © Jupiter Infomedia Ltd. All rights reserved including the right to reproduce the contents in whole or in part in any form or medium without the express written permission of Jupiter Infomedia Ltd. Kudamaloor Karunakaran Nair was the evergreen Mohini of Kathakali. Easy Tips 35,253 views He was a devotee of Lord Krishna; who wrote plays known as Krishnatam. A picture of the same has been provided below. Kathakalī employs several methods: 1) direct without special effects or curtain; 2) through the audience, a method that engages the audience, led by torchbearers since Kathakalī is typically a night performance; 3) tease and suspense called nokku or thirasheela or tiranokku, where the character is slowly revealed by the use of a curtain. ‘Attakatha’ are plays that were historically derived from Hindu epics like ‘Bhagavata Purans’, ‘Mahabharata’ and ‘Ramayana’ which were written in certain format that allows one to determine the dialogue portions that is the Pada part and the action portions that is the Shloka part of the performance. , Kathakalī is still practiced in its Traditional ways and there are experimental plays based on European classics and Shakespeare's plays. Kathakali originated from a precursor dance-drama form called Ramanattam and owes it share of techniques also to Krishnanattam.The word "attam" means enactment. Kathak is characterized by intricate footwork and precise rhythmic patterns that the dancer articulates by controlling about 100 ankle bells.  The traditional legend states that Kottarakkara Thampuran (also known as Vira Kerala Varma) requested the services of a Krishnanattam troupe, but his request was denied. This book tells the story of teaching Kathakali, a seventeenth century Indian dance-drama, to contemporary performers in Australia. Kathakali dance form is one of the oldest theater forms in … History of Kathakali March 02, 2020 Kathakali is a major form of classical Indian dance. Kathak is indigenous to northern India and developed under the influence of both Hindu and Muslim cultures.  Demonesses and treacherous characters are also painted black but with streaks or patches of red. , The traditional themes of the Kathakalī are folk mythologies, religious legends and spiritual ideas from the Hindu epics and the Puranas. See Article History. Several factors have contributed to its popularity. Katha means story.  The designs of these theatres usually matched the dimensions and architecture recommended as "ideal" in the ancient Natya Shastra, and some of them could house 500 viewers. Kathakali has a unique combination of literature, music, painting, acting and dance. N Pani (2009), Hinduism, in Handbook of Economics and Ethics (Editors: Jan Peil and Irene Staveren), Edward Elgar, D. Appukuttan Nair, Ayyappa K. Paniker 1993, http://www.elnortedecastilla.es/culturas/201607/25/quijote-medio-camino-entre-20160721111257.html, "The Treasure Chest of Cultural Patronage", "In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing", https://en.wikipedia.org/w/index.php?title=Kathakali&oldid=1001590090, All Wikipedia articles written in Indian English, Short description is different from Wikidata, Articles containing Malayalam-language text, Articles with unsourced statements from July 2016, Creative Commons Attribution-ShareAlike License, Nambeesan Smaraka Awards — For artistic performances related kathakali (1992-2008), This page was last edited on 20 January 2021, at 10:46. Kathakali traditionally has been troupes of predominantly male actor-dancers, who dress up as hero, heroines, gods, goddesses, demons, demonesses, priests, animals and daily life characters. Historically, all these plays were derived from Hindu texts such as the Ramayana, the Mahabharata and the Bhagavata Purana. Kathakali means 'Story Dance' and it emanated in the 16 th century being inspired from Koodiyattam.  The "tease" method is typically used for characters with hidden, dangerous intentions. Kathak uses the stage space more, and does not typically include separate vocalists. There are 24 types of mudra’s those are used for choreograph a song or theme.  It is traditionally attributed to Nalanunni, under the patronage of Utram Tirunal Maharaja (1815-1861). The fully developed style of Kathakalī originated around the 17th century, but its roots are in the temple and folk arts (such as krishnanattam and religious drama of the southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. Typically, his four plays are performed on four nights, and they relate to the mythical Hindu love story of Nala and Damayanti. , The entrance of characters onto the Kathakalī stage can be varied. Since then it has evolved and improved continuously. History of Kathakali is deep rooted in the culture of Kerala and dates back to the Dravidian ages. Kathakali dance form is one of the oldest theater forms in the world. Kathakali is typically structured around ‘Attakatha’ meaning the story of attam or dance.  Kathak traditionally has included female actor-dancers, unlike Kathakali which has traditionally been performed by an all-male troupe. This book tells the story of teaching Kathakali, a seventeenth century Indian dance-drama, to contemporary performers in Australia. , Over five hundred Kathakalī plays (Aattakatha) exist, most of which were written before the 20th century. , Krishnanattam is the likely immediate precursor of Kathakalī, states Zarrilli. , Kathakalī is still hugely male-dominated, but since the 1970s, women have made entry into the art form on a recognisable scale.  Face masks and headgear is added to accentuate the inner nature of the characters. The repertoire includes a series of performances. , The theory and foundations of Kathakalī are same as other major classical Indian dances, traceable to Sanskrit texts such as the Natya Shastra, but the expression style in each is very different and distinctive.  Kutiyattam, adds Richmond, is "one of the oldest continuously performed theatre forms in India, and it may well be the oldest surviving art form of the ancient world". Like other Hindu forms of dance drama, such as Koodiyattam, Kathakali evolved as a ritual dance, to be performed as an offering at temples and during religious festivals.  The Pada part contains the dialogue part. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. History. , A Kathakalī performance typically starts with artists tuning their instruments and warming up with beats, signalling to the arriving audience that the artists are getting ready and the preparations are on.  It is a "story play" genre of art, but one distinguished by the elaborately colorful make-up, costumes and face masks that the traditionally male actor-dancers wear. Brief History of Kathakali . History & Culture ; Published 20th January, 2021 ; Context ‘Kalyanasougandhikam’ brought alive the blend of elements unique to a Kathakali play. It is indigenous to southwestern India, particularly the state of Kerala, and is based on subject matter from the Ramayana, the Mahabharata, and stories from Shaiva literature. , The character types, states Zarrilli, reflect the Guṇa theory of personalities in the ancient Samkhya school of Hindu philosophy. , The traditional plays were long, many written to be performed all night, some such as those based on the Ramayana and the Mahabharata written to be performed for many sequential nights. With the use of elaborate make-up and costume, the dance mainly seeks to re-tell stories of Hindu mythology. 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